Ciara Leeming: Not Gypsies...Roma

Photo © Ciara Leeming-All Rights Reserved
France's current expulsion of illegal Roma with generational roots in Romania and Bulgaria has been labeled by human rights groups as xenophobic, and criticized by President Sarkozy's (whose poll numbers are abysmal) political opponents.

So to feature Ciara Leeming's work on the Roma in Istanbul during the Foundry Photojournalism Workshop is timely and opportune. Turkey is home to one of the largest Roma populations in the world – an estimated two million people. Yet here as elsewhere, the community is subject to frequent discrimination – ranging from overt harassment to more subtle institutional racism.

Ciara's "Not Gypsies...Roma" was her project during the Foundry Photojournalism Workshop, where she attended Rena Effendi's class. It's a combination of stills, a PDF of the reportage and an audio clip featuring one of the Roma. Many of the stills are verticals and arranged in the gallery as diptychs, but to my eyes, the one above is the most evocative.

Ciara worked at the Evening Leader, the North West Enquirer and the Manchester Evening News. Currently freelance, she supplies features, images and multimedia content to a diverse range of publications and charities, and edits The Big Issue in the North. She's also worked in India, Israel, Palestine and Turkey.

Armed with a degree in European studies and French from the University of Manchester, Ciara is now working towards an MA in photojournalism and documentary photography, through the London College of Communication.

TIME: Soldiers' Tattoos In Afghanistan

Photo © Mauricio Lima /AFP/Getty Images-All Rights Reserved
It's really time to leave Afghanistan when magazines start publishing inconsequential and silly photo essays as the one just featured by TIME's website. It's titled Soldiers' Tattoos in Marjah, and is by Mauricio Lima.

The photo essay shows about 10 images of US soldiers showing off tattoos of various illustrations, religious messages and excerpts from the Bible amongst others. The one above is of Lance Corporal Daniel Weber, and the caption reads as follows: "The Arabic inscription on Weber's bicep translates to "unfortunate soldier."

No, it doesn't. It reads "Al Nafs Al Mahzouza", which means "the fortunate soul" in English. So quite different in its intent. If Weber wanted the tattoo to read "unfortunate soldier", he may want to go back to the parlor that did this, and ask for his money back. Although Arabic is not one of Afghanistan's languages, the script is nicely done.

This captioning error is made either by some clueless soul (a summer intern?) at TIME Magazine, or through careless translation in Marjah. In this particular case, it's an irrelevant mistake....but I shudder to think how much important information is misunderstood or even lost through careless translation by American or Afghanistan individuals.

Why did I bother to mention it here? Well, a photo essay about soldiers' tattoos appears in a national and international magazine, and we still wonder why photojournalism is where it is today? Aren't there more interesting stories in Marjah?

Update: My thanks to Ciara Leeming who just messaged me saying that the caption was changed a few moments ago to this: The Arabic inscription on Weber's bicep translates to "lucky self."

It's still inaccurate, but much closer than the original. Do the TIME staffers read my blog?

Foundry Photojournalism Workshop's Stats

It's been almost a month since the wrap-up of the very successful Foundry Photojournalism Workshop (FPW) in Istanbul, which achieved an impressive degree of multi-ethnicity amongst its participants...a veritable United Nations of photojournalism.

According to Neal Jackson, FPW Istanbul was attended by about 130 photojournalists (excluding instructors) from 41 countries.

The largest contingents were from the United States (30), host country Turkey (15), India (8) and Romania (7). Notably, 8 Middle Eastern countries were represented, fielding 16 photojournalists including 1 from Palestine/Gaza.

A tremendous achievement by all concerned; its founders, its staff, its instructors and its participants....and Istanbul.

LENS: Stanley Greene Talks To Michael Kamber

Photo © Stanley Greene/Noor-All Rights Reserved

Stanley Greene’s Redemption and Revenge on the New York Times' LENS blog is one of the most interesting (and candid) interviews with a photojournalist/photographer I've read in a long time.

Having met Stanley Greene in Mexico City, I don't think I'd be wrong in describing Stanley as an iconoclast, as someone who doesn't mince words and who doesn't imitate. His opinions and responses as expressed during this interview confirm my view. This interview is a no platitudes no bullshit zone...and may rile some "lemmings", but for those who appreciate iconoclasts, it's a must read.

Excerpts that particularly resonate with me:

"When journalists start to distort reality, then I have a real problem with it. And when everything starts to look like a cartoon, I have a problem with it."

"When we get to the point where we start digging up graves to make photographs, I think we are in trouble."

"You need to be able to communicate with people. You should know a language. But even if you don’t know a language, you should at least be decent enough to understand what you are about to photograph, instead of just going, “Pow, pow, pow.” Because when you do that, then you are a vulture, and then you are what a lot of N.G.O.’s call us: “Merchants of misery.”

"I don’t own an apartment. I don’t own a house. I don’t own a car. I don’t have any stocks and bonds. All I own are my cameras. That’s it. And some cowboy boots."

Michael Kamber has worked primarily as a conflict photographer and covered a dozen wars including Afghanistan, Somalia, Liberia, Darfur and the Congo. He photographed the war in Iraq for The New York Times between 2003 and 2010. His photos have been published in nearly every major news magazine in the USA and Europe. Michael is the winner of a 2007 World Press Photo award, the Missouri School of Journalism’s Penny Press Award, American Photo Images of the Year and an Overseas Press Club award. He has been nominated three times for the Pulitzer Prize–twice for photography and once for reporting.

As I said, one of the best interviews I've read in a while.

PBS Features "Starved For Attention"

PBS' Need To Know is featuring a Starved For Attention slideshow with 19 large photographs by Marcus Bleasdale, Jessica Dimmock, Ron Haviv, Antonin Kratochvil, Franco Pagetti, Stephanie Sinclair, and John Stanmeyer.

It's based on the extremely well produced multimedia campaign by Doctors Without Borders/Médecins Sans Frontières (MSF) and VII Photo which exposes the neglected and largely invisible crisis of childhood malnutrition.

As an aside, I also noticed on Need To Know an article by Kavitha Rajagopalan on the buffoonish remarks made by Palin on the plans to erect a mosque and Islamic center near Ground Zero.

All I have to say is that it is New York and its inhabitants who suffered on September 11, 2001....and it's they who have the voice in this.

No one else.

Andrea Pistolesi: The Rohingya Refugees

Photo © Andrea Pistolesi-All Rights Reserved
Andrea Pistolesi is a pro in the full meaning of the word...a my kind of guy...a photographer who fuses travel and editorial imagery, and who's candid enough to say that professional travel photography as it existed is now extinct, and that travel publications and ancillary glossies are a dying breed. He espouses the view -like I do- that interesting visual stories are all around us, but that we need to broaden our scope by creating new ways of distribution (think of the new VII Magazine, as an example).

Andrea was born and lives in Florence, and studied geography at the local university, evolving in a travel photographer specializing in geographic and global social reportage. He published books on exotic destinations (Indonesia, New Zealand, Morocco, South Africa, The Land of Buddha, Hinduism, Eastern Christianity), and amongst others, has recently published a book on prayers of major religions.

He was widely published in CN Traveller (Italy), Delta Sky, Departures, Elle, l'Espresso, Figaro Mag, Gente Viaggi, Geo, Gulliver, Hemispheres, Islands, LATimes Mag, National Geographic, NYT Sophisticated Traveler, Photo, Rutas del Mundo, Smithsonian Mag, Time, Travel & Leisure, and many others.

Andrea's website is a cornucopia of travel and editorial photography, which is bound to give viewers hours of enjoyment, and provide photographers immense inspiration and ideas.

I spent a while on his website, trying to decide which of his galleries to feature on this blog. It was difficult, and I changed my mind often. Finally, I chose the brilliant reportage of the Rohingya refugees in southern Bangladesh.

As Andrea describes them, the Rohingya are the unwanted of southwestern Asia. An ethnic Muslim minority, they have no rights in Burma and try to flee across the borders with Bangladesh where only a few earn a refugee status. For others, it's a life of squalid illegal camps, an unending odyssey falling prey to human traffickers, to organ traffickers, to sex rings and to pedophiles.

Also read Andrea's blog post Requiem For Travel Photography. And don't miss his work on the Nats (spirits of Mynamar) and on the Bugis Seafarers.

Highly recommended as a photographer to follow.

Photojournalism From SE Asia

For those who are hard-core fans of South East Asian photojournalism, OPEN-i hosted a live webinar a few months ago which featured work from photographers living and working in South East Asia, and who discussed the challenges and rewards of working in that region.

The webinar (moderated by Paul Lowe) is unusually long (about 105 minutes), and the acoustics are not great, but it offers insight into the work and working conditions of 4 photographers/photojournalists.

Jack Picone - Thailand
Justin Mott - Vietnam
Veejay Villafranca - Philippines
Rony Zakaria - Indonesia

OPEN-i is a global online community of practice for the professional photojournalism industry where members can discuss the challenges and opportunities facing the industry in live webinars and online forums.

The Travel Photographer: Updated Website

I updated The Travel Photographer website with a new slideshow of more recent photographs made during my 2009-2010 trips, and added details of my planned In Search of Sufis Photo~Expedition™, which will be the first scheduled for 2011.

It's well on its way to being sold out, as I am restricting it to only 5 photographers.

The In Search of Sufis Photo~Expedition™ is not for first-timers to India, nor is it for photographers expecting choreographed photo-opportunities. This trip will be the quintessential fusion of travel photography and photojournalism, and aims to merge the visual with the intellectual.

It's structured for photographers interested in multimedia story-telling, interested in exploring the existing syncretism between Sufism and Hinduism, interested in documenting traditional ways of life of Gujarati tribal societies, and documenting Sufi rituals that include exorcisms and trances.

Andy Spyra: The Shadows of Srebrenica

Photo © Andy Spyra/Courtesy FP Magazine-All Rights Reserved
I don't think of Foreign Policy magazine as one to feature top notch photojournalism, but it unfailingly does.

Its latest feature is on the 15th anniversary (if we can call it an anniversary) of the Serbian army entering the town of Srebrenica in eastern Bosnia-Herzegovina, and in the days that followed killing 8,000 Bosniac Muslim men and boys. The Srebrenica genocide was the largest mass murder in Europe since the end of World War II, and the country is still recovering from the war that ended 15 years ago.

The Shadows of Srebrenica is a collection of black & white photographs by the incredibly talented Andy Spyra, and is a powerful reminder of that era, and also reminds us that many of those responsible for this genocide have yet to be apprehended, especially Ratko Mladić.

Amongst the many powerful images, I thought the one above was the most evocative, with the hand and the shadow on the pavement.. Its caption reads: "At the gate of the Srebrenica cemetery, Mehmedovic gestures toward a memorial marker with the number 8,372, though no one knows precisely how many Bosniaks were killed."

Andy Spyra is a freelance photographer currently based in Hagen, Germany. After school, he traveled to Central America and South East Asia where he took up photography. He subsequently studied photography at the Fachhochschule Hannover. He‘s currently pursuing personal projects in the Balkans.

WSJ Photo Journal: Sayyida Zeinab Shrine

Photo © Suhaib Salem/Reuters-All Rights Reserved
Readers and followers of this blog know that I am always interested in religious rituals of all sorts because it's during these rites, festivals and traditional events that devotees are devoid of day-to-day artificiality.

The WSJ Photo Journal recently posted the above photograph of devotees praying at the Sayyida Zeinab shrine in old Cairo commemorating her birthday. Zeinab was the daughter of Ali and the grand-daughter of the Prophet Muhammad. There's a disagreement as to whether she was interred in Damascus in a shrine bearing her name, or in Cairo.

Al Sayyida Zeinab is the patron saint of Cairo, and her shrine is located in mosque that bears her name. It was renovated and rebuilt many times since her death. The mosque is typical of the Mameluke style, and the cenotaph (seen in the photograph) is enclosed within a finely worked bronze grille.

This commemoration has now been added to my list of events to photograph. Hopefully next year in Cairo!

Foundry Photojournalism Workshop (Istanbul)

Photo © David Storey-All Rights Reserved
Photo © Brenda Bravo -All Rights Reserved
I thought I'd post these two photographs of the Foundry Photojournalism Workshop for posterity. The top photograph is of the instructors, assistants and staff who all donated their time, talent and knowledge to make Istanbul such a success. (I'm in the back as usual).

The bottom photograph is of some of the instructors, staff and students during the final beer bash at Kadikoy's Zurich beer bar. This was probably at around 1:00 am on Sunday June 27, if I'm not mistaken. (I'm sitting in the front center, for a change).

Stijin Pieters: Durga Puja

Stijn Pieters is a self taught freelance photographer based in Gent, Belgium whose work focuses on under-reported social, political and environmental issues. He completed projects in Nepal, Kashmir, Palestine, Northern Ireland, Swaziland, Yemen, Morocco, Iran, Vietnam, The Philippines, India and Bangladesh; most of which tackle diverse issues, from HIV/aids in Swaziland to the pervasive gun culture in Yemen, from Agent Orange victims in Vietnam to stateless people in Bangladesh.

For his projects in Yemen in 2006 and Morocco in 2007, Stijn received respectively grants from the Pascal Decroos Foundation and the King Baudouin Foundation. His work has been published in Belgian magazines like MO*, Vrede, Menzo, Tertio, Vacature, Varen and Isel Magazine.

The above slideshow is on the Durga Puja in Bangladesh, and is very nice work by Stijn. It's an annual Hindu festival in South Asia that celebrates worship of the Hindu goddess Durga. You can click on it for a full screen experience.

The most celebrated Durga Puja is in Calcutta where more than 2000 pandals (temporary structures...like thrones) are set up for the populace to venerate. Durga Puja in Calcutta is often referred to as the Rio Carnival of the Eastern Hemisphere.

Foundry Workshop (Istanbul) Signed Off

Photo © Anamitra Chakladar-All Rights Reserved
Photo © Anamitra Chakladar-All Rights Reserved
Well, what is there to say except that I had a blast! The Foundry Photojournalism Workshop has ended with a marathon session to show the work completed by some 130-odd photographers who joined it. It was a visual overload of photographs and multimedia projects, and was followed by the customary beer bash at a nearby bar.

My Introduction To Multimedia class was attended by a cross-section of the nationalities represented at the Workshop, and I was extremely pleased to work with Brenda Bravo, Pierre Claquin, Yagmar Dolkun, David Hagerman, Pedro Gomes, Jeroen de Kluiver and Roubina Margossian. The class also benefited enormously from Anamitra Chakladar's expertise in audio editing and multimedia. He patiently fine tuned some of the class's audio tracks...thank you, Anamitra!! The class's output ranged from black & white documentary work to travel and cultural projects.

There's no other way to describe it, but the success of the Foundry Photojournalism Workshop -whilst based on the unstinting generosity of the instructors and its staff- is due to Eric Beecroft's vision, tenacity, enthusiasm and his being just Eric.

Next year? South America...perhaps Argentina, perhaps Brazil. Incha'allah.

The top photo was made during my presenting a couple of personal projects at the start of the Workshop, while the bottom photo was during a class with Yagmar and Brenda looking on.

WSJ Photo Journal: Sufi Anniversary

Photo © Deepak Sharma/AP-All Rights Reserved
The WSJ's Photo Journal has featured the above photograph by Deepak Sharma (AP) of Pakistani pilgrims carrying an offering of embroidered cloth (which I believe is called kiswa) to cover the tomb of Sufi saint Khawaja Moinuddin Chisti on the anniversary of his birth in Ajmer, India.

I should have been there!!! My kind of event!

Shaikh Khawaja Syed Muhammad Moinuddin Chisti was the most famous Sufi saint of the Chishti Order of the Indian Subcontinent. He introduced and established the order in South Asia, and was succeeded by various notable saints such as Nizzam Uddin Auliya.

I've never checked on this, but Khawaja in Egyptian Arabic means "foreigner", and was used as a title for all Greek and Italian residents (as an example) in Egypt, so I'm not sure if there's a connection or not. Wikipedia defines Khawaja as a title used by South Asians, which is possibly related to Khoja as well.

Istanbul-Bound

I'm on my way to attend the Foundry Photojournalism Workshop in Istanbul, where I'm giving a class on multimedia (Introduction To Multimedia). The class will adopt a simulated under pressure work environment where class participants have to shoot, edit and present their photographs and audio tracks to me, to eventually produce a publishable 3-5 minutes audio slideshow.

I'm stopping over in London for a couple of nights, then catching a flight to Attaturk Airport on the 19th June.

I will try to post on this trip as much as I can...perhaps even post some photographs of the workshop's going-ons. I'm taking my new Panasonic Lumix GF1 especially for that purpose. I'm also hoping to shoot for a personal project in Istanbul.

NYT's LENS: A.K. Kimoto

Photo © A.K. Kimoto-All Rights Reserved
The New York Times' LENS blog features a poignant photo essay on opium addiction in Afghanistan by the late A.K. Kimoto. The photo essay is in black & white; dark and brooding as befits such a subject matter. See it...I highly recommend it, along with its accompanying article.

Kimoto was a 32-year-old Japanese photographer based in Bangkok, who died in March while traveling to Australia.

He spent years photographing families in the remote northeastern mountains of Afghanistan, controlled by the Taliban. He roamed remote settlements in Badakhshan, Afghanistan, to find out why so many of the inhabitants (even the young) had become addicted to opium. As Emily Anne Epstein explains in the piece: "The poverty in this region is so harsh that parents blow opium smoke into their children’s noses to soothe the pangs of hunger."

A.K. Kimoto wrote:

“I offer to transport the mother and child to a clinic. One of the elders cuts me off before I can finish my thought. He smiles gently as he tells me that the child would never survive such a journey in the cold rain, and anyway, this way of life and death have been repeated for centuries in these mountains.”

Coincidentally, the New York Times reported yesterday that the United States has discovered nearly "$1 trillion" in untapped mineral deposits in Afghanistan, which translates into approximately $35,000 for every inhabitant of the country. Naturally, massive investments will be required to mine these deposits, but in any event there's little chance that the poor of Badakhshan will see their lives improve from this eventual wealth. Cronyism, and venal corruption are endemic to the region...and only those with the power and connections will reap the benefits.

Jehad Nga Talks to BJP

Photo © Jehad Nga-All Rights Reserved

"I respond more to fashion and fine-art, carrying these fields and variables in photojournalism." -Jehad Nga

The British Journal of Photography (which revamped its website) published an interview with Jehad Nga, one of my favorite photographers. This blog featured many posts on Nga, and his distinctive chiaroscuro style.

Titled From Kansas To Nairobi, the recent interview sheds a light on Nga's decision to join the Institute for Artist Management instead of VII and Magnum.

Nga first visited the Middle East in 2001 spending months in different medical volunteering positions in Gaza. When he interned at Magnum Photos in 2002, he was also training to become an Emergency Medical Technician. But since 2004, when he moved to East Africa, he's been dedicating most of his time to photography, working regularly for the New York Times.

Via photojournalism links

MSF's Starved For Attention

"this year 195,000,000 children will suffer from malnutrition"

and so starts “Starved for Attention” the extremely well produced multimedia campaign by Doctors Without Borders/Médecins Sans Frontières (MSF) and VII Photo which exposes the neglected and largely invisible crisis of childhood malnutrition.

The campaign aims to present a series of multimedia documentaries of still photography and video from the well-known photojournalists at the VII Agency, such as Marcus Bleasdale, Jessica Dimmock, Ron Haviv, Antonin Kratochvil, Franco Pagetti, Stephanie Sinclair, and John Stanmeyer.

The first multimedia reportage is titled Frustration and is by Marcus Bleasdale, who narrates it out of Djibouti.

Bookmark this website, since the remaining reportages will be featured over the course of the coming months.

For more background on the project, JournalismNow features an interview with Ron Haviv, which touches on his work in Bangladesh for Starved For Attention.

Talking With Our Hands?

All Photos © Neal Jackson-All Rights Reserved
I just stumbled on this collage of photographs made by Neal Jackson during the Foundry Photojournalism Workshop (FPW) in Manali last June.

It appears that some the FPW instructors are fond of using their hands whilst conducting their classes....virtually the same gestures and mannerisms!

From the top left is Michael Robinson Chavez, top right is Ron Haviv, bottom right (in red) is Ami Vitale, and bottom left is Tewfic El-Sawy (The Travel Photographer). Click on it for a larger version.

The 2010 Foundry Photojournalism Workshop is scheduled for 20 – 26 June in Istanbul.

Underage Marriage in India

Photo © Prakash Hatvalne/AP Photo-All Rights Reserved
Photo © Prakash Hatvalne/AP Photo-All Rights Reserved
Two photoblogs, MSNBC's Photoblog and The Denver Post's Plog, featured images from a mass marriage ceremony held recently in the town of Rajgarh, in the Indian state of Madhya Pradesh. Both are credited to Prakash Hatvalne/AP Photo.

The top photograph is of Mamta (7 years old) standing with her husband Santosh, who is 11 years old. While the lower photograph is of an under-age newly married couple who refused to be identified.

While Indian law sets 18 as the minimum age for a woman to marry and 21 for a man, underage weddings occur in rural areas, where the law is seldom observed.

Sociologists believe that child marriages originated 900 years ago with Muslim invasions of the subcontinent. Legend has it that invading armies -as was customary at the time- raped and carried unmarried Hindu women off as war booty, prompting communities to marry off their daughters almost from birth to protect them.

This tradition of child marriage, as many others considered by the Western world to be abhorrent, has also been created by necessity. In poverty stricken villages in the Indian subcontinent, Middle East and Africa, securing early marriages for daughters can mean the difference between subsistence and famine.